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R.E.M. - Reveal Album

R.E.M. - Reveal Album
Title:
Reveal
Performer:
R.E.M.
Style:
Alternative Rock, Pop Rock
Released:
2001
Catalog:
9 47946-4, 9362-47946-4
Country:
Poland
MP3 album size:
2024 mb
FLAC album size:
1145 mb
Genre:
Label:
Warner Bros. Records, Warner Music Poland

Tracklist


1Summer Turns To High3:32
2Disappear4:15
3Saturn Return4:55
4I've Been High3:25
5Imitation Of Life3:57
6I'll Take The Rain5:51
7 Ring Side
8Chorus And The Ring4:31
9She Just Wants To Be5:22
10 Chorus Side
11The Lifting4:39
12All The Way To Reno (You're Gonna Be A Star)4:45
13Beachball4:14
14Beat A Drum4:21


Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
9 47946-2R.E.M. Reveal ‎(CD, Album)Warner Bros. Records9 47946-2US2001
1-47946, 9 47946-1R.E.M. Reveal ‎(LP, Album)Warner Bros. Records, Warner Bros. Records1-47946, 9 47946-1US2001
PROP05210R.E.M. Reveal ‎(CD, Album, Promo)Warner Bros. RecordsPROP05210Europe2001
9362-47946-2, 9 47946-2R.E.M. Reveal ‎(CD, Album)Warner Music Taiwan, Warner Bros. Records9362-47946-2, 9 47946-2Taiwan2001
2-47946 / 2-48078R.E.M. Reveal ‎(CDr, Album, CD )Warner Bros. Records2-47946 / 2-48078US2001


Credits


  • AdvisorBertis Downs
  • Arranged By [Strings]Johnny Tate, R.E.M.
  • Artwork [Packaging]Chris Bilheimer, Michael Stipe
  • Edited ByAdam Ayan
  • Engineer [2nd Engineer, The Hit Factory / Criteria]Christine Tramontano
  • Engineer [2nd Engineer, The Warehouse Studios]Alex Aligizakis, Dean Maher, Zach Blackstone
  • Engineer [2nd Engineer, Windmill Lane]Dave Hughes, Kieran Lynch
  • Engineer [John Keane Studios]John Keane
  • Field Recording [Field Recordings]Lou Kregel (tracks: B3)
  • HornsDavid Carmody, David Martin , Eoin Daly, Fergal O'Ceallachain, Get The Horn Section (tracks: B6), Shaun Hooke
  • Performer [Additional Musician]Glen Brady, Jamie Candiloro, Joey Waronker, John Keane, Ken Stringfellow, Scott McCaughey
  • Performer [R.E.M.]Michael Stipe, Mike Mills, Peter Buck
  • ProducerPat McCarthy, R.E.M.
  • Production Manager [Production Liaison (Dublin)]Robbie Wootton
  • Recorded By, Mixed ByJamie Candiloro, Pat McCarthy
  • StringsAnnette Cleary, Carol Quigley, Cliona O'Driscoll, David James , Debbie Ellis, Eileen Murphy, Elizabeth Dean, Elizabeth Leonard, Hillary O'Donovan, Jenniffer Cassidy, Marcus Miller , Michael Healy, Michelle Lalor, Nicola Cleary, Pamela Forde, Paul O'Hanlon, Peter Crooks, Ruth Mann, Ruth Murphy, Sebastian Petiet, Sunniva Fitzpatrick
  • Technician [Assistant, Dalkey Lodge]Mark Fitzgerald
  • Technician [Further Assistance, Dalkey Lodge]Bee Mangan, Marguerite Ryan, Mary Boylan
  • Technician [Technical Assistance]Bob Weber, Bob Whittaker , Dan Brewer, Eric Humphries, Kevin Sweeney, Mark Mytrowitz, Microwave , Octavio Arizala
  • WoodwindDavid Agnew
  • Written-ByStipe, Mills, Buck
  • Arranged By [String]Johnny Tate, R.E.M.
  • Artwork [Packaging]Chris Bilheimer, Michael Stipe
  • Edited ByAdam Ayan
  • Engineer [2nd, Dublin, Windmill Lane]Dave Hughes, Kieran Lynch
  • Engineer [2nd, Miami]Christine Tramontano
  • Engineer [2nd, Vancouver]Alex Aligizakis, Dean Maher, Zach Blackstone
  • Engineer [Athens]John Keane
  • HornsDavid Carmody, David Martin, Eoin Daly, Fergal O'Ceallachain, Get The Horns Section (tracks: 12), Shaun Hooke
  • Management [Advisor]Bertis Downs
  • Mastered ByBob Ludwig
  • PerformerMichael Stipe, Mike Mills, Peter Buck
  • Performer [Additional Musician]Glen Brady, Jamie Candiloro, Joey Waronker, John Keane, Ken Stringfellow, Scott McCaughey
  • ProducerPat McCarthy, R.E.M.
  • Recorded By [Field, Athens]Lou Kregel (tracks: 9)
  • Recorded By, Mixed ByJamie Candiloro, Pat McCarthy
  • StringsAnnette Cleary, Carol Quigley, Cliona O'Driscoll, David James, Debbie Ellis, Eileen Murphy, Elizabeth Dean, Elizabeth Leonard, Hillary O'Donovan, Jenniffer Cassidy, Marcus Miller, Michael Healy, Michelle Lalor, Nicola Cleary, Pamela Forde, Paul O'Hanlon, Peter Crooks, Ruth Mann, Ruth Murphy, Sebastian Petiet, Sunniva Fitzpatrick
  • Technician [Assistant, Dublin]Mark Fitzgerald
  • Technician [Further Assistance, Dublin]Bee Mangan, Marguerite Ryan, Mary Boylan
  • WoodwindDavid Agnew
  • Written-ByStipe, Mills, Buck


Notes


RECORDED

VANCOUVER
THE WAREHOUSE Studios, Vancouver, British Columbia

ATHENS
JOHN KEANE Studios, Athens, Georgia

DUBLIN
DALKEY LODGE, Dublin, Ireland
WINDMILL LANE Studios, Dublin, Ireland

MIAMI
THE HIT FACTORY / CRITERIA Studios, Miami, Florida

Mastered
Gateway Mastering Studios
Portland, Maine

Made in Germany.All songs © 2001 Temporary Music (BMI)
Temporary Music administered in this and all worlds, inclusive, by Warner-Tamerlane Publishing Corp.
Warner Bros. Records Inc., a Time Warner Company.
© ℗ 2001 R.E.M./Athens, L.L.C.
Scott McCaughey appears courtesy of Mammoth Records, Inc.


Barcodes


  • Barcode: 0 9362-47946-4 6
  • Rights Society: BIEM/GEMA/ZAIKS
  • Barcode (Text): 0 9362-47946-2 2
  • Barcode (Scanned): 093624794622
  • Label Code: LC 00392
  • Rights Society: GEMA / BIEM
  • Matrix / Runout (Variant 1 to 3, 5, 7 to 13): [Warner 'W' logo] 936247946-2 04/01
  • Mastering SID Code (Variant 1 to 3, 5, 7 to 13): IFPI L011
  • Mould SID Code (Variant 1): IFPI 05F2
  • Mould SID Code (Variant 2): IFPI 05Z7
  • Mould SID Code (Variant 3): IFPI 0598
  • Mould SID Code (Variant 4): IFPI 05N8
  • Mould SID Code (Variant 5): IFPI 0572
  • Mould SID Code (Variant 6): IFPI 0607
  • Mould SID Code (Variant 7): IFPI 0540
  • Mould SID Code (Variant 8): IFPI 0573
  • Mould SID Code (Variant 9): IFPI 05M2
  • Mould SID Code (Variant 10): IFPI 0585
  • Mould SID Code (Variant 11): IFPI 0513
  • Mould SID Code (Variant 12): IFPI 05M7
  • Mould SID Code (Variant 13): IFPI 0591


Companies


  • Phonographic Copyright (p) – R.E.M./Athens L.L.C.
  • Copyright (c) – R.E.M./Athens L.L.C.
  • Published By – Temporary Music
  • Recorded At – The Warehouse Studio
  • Recorded At – John Keane Studios
  • Recorded At – Dalkey Lodge
  • Recorded At – Windmill Lane Studios
  • Recorded At – The Hit Factory Criteria
  • Mastered At – Gateway Mastering
  • Phonographic Copyright (p) – R.E.M./Athens L.L.C.
  • Copyright (c) – R.E.M./Athens L.L.C.
  • Published By – Temporary Music
  • Recorded At – The Warehouse Studio
  • Recorded At – John Keane Studios
  • Recorded At – Dalkey Lodge
  • Recorded At – Windmill Lane Studios
  • Recorded At – The Hit Factory Criteria
  • Mastered At – Gateway Mastering
  • Made By – Warner Music Manufacturing Europe


Album


One of the first alternative rock bands, . sound are all merely superficial. In Time: The Best Of. If no one has done it yet, here I come with it. All The Way To Reno You're Gonna Be A Star. 2019 сингл Live In Chicago, 1995. The Lifting. Reveal is a sweet album, indeed. Songs in album . 2018 Live. All The Way To Reno You're Gonna Be A Star. It's not as overt, of course - the drum machines and loops have taken a backseat - but it's still possible to hear the clipped Pro Tools effects on Summer Turns to High, for instance, and most tracks are a little fussy in their aural coloring. Released May 14, 2001. Reveal The Lifting, I've Been High and more. She Just Wants To Be. The lead single, Imitation of Life, became another U. 2019 сингл Remix. Because on it's own terms this is good stuff. was noted for Buck's ringing, arpeggiated guitar style, Stipe's distinctive vocal quality and obscure lyrics, Mills's melodic basslines and backing vocals, and Berry's tight, economical style of drumming. The increased reliance on burbling, jittering synthesizers actually makes the album a less engaging listen, turning many of its songs into messy sonic muddles. All the Way to Reno You're Gonna Be a Star Lyrics. What makes Reveal so disappointing is that the additions to the classic . albums and close my eyes, my mind is flooded with crystalline imagery, with miniature explosions, with the very moments of clarity that Stipe described when I put on Reveal and close my eyes, I fall asleep. singles charts. I've Been High Lyrics. Listen free to . Monster Live EP. After having adjusted to former drummer Bill Berry's departure and releasing Up to mixed response in 1998, . I've Been High. Reveal The Lifting, I've Been High and more. Because Reveal is song-oriented, it initially plays more accessibly than Up, but these songs are cloaked in the same kind of deliberate studiocraft that made Up feel stilted. Album 2001 12 Songs. Because on it's own terms this is good stuff. Great modern pop album. At The BBC. I've Been High Lyrics. What's The Frequency, Kenneth . Reveal 2001. Reveal is the 12th studio album by American alternative rock band . Reveal Tracklist. 12 tracks 53:46. Let Me In. Top 10 hit as well as the band's first number one single in Japan, but floundered at the bottom of the U. I've Been High. 2003 DMD Album. Oh, and New Adventures In Hi - Fi is an underrated gem, IMO. After having adjusted to former drummer Bill Berry's departure and releasing Up to mixed response in 1998, . released the more upbeat Reveal, co-produced with long-time collaborator Patrick McCarthy. Top 10 hit as well as the band's first number one single in Japan, but floundered at the bottom of the U. It's funny, if REM were a new band people would be like OMG, fantastic. To favorites 4 Download album. released in May 14, 2001 on Warner Bros. 2019 сингл Demo. Rock . Imitation Of Life. Saturn Return. But since it's REM people go, meh. was an American rock band from Athens, Georgia, formed in 1980 by drummer Bill Berry, guitarist Peter Buck, bassistbacking vocalist Mike Mills, and lead vocalist Michael Stipe. The album is so muddled and repetitive that it's almost impossible to pick out any kind of individual moments within the album's framework. Rarities and B-Sides. All the Way to Reno You're Gonna Be a Star Lyrics. There are no such moments to be found on Reveal. Pechorin February 2nd 2006. Listen album. was noted for Buck's ringing, arpeggiated guitar style, Stipe's distinctive vocal quality and obscure lyrics, Mills's melodic basslines and backing vocals, and Berry's tight, economical style of drumming. When I put on most . It's not as overt, of course - the drum machines and loops have taken a backseat - but it's still possible to hear the clipped Pro Tools effects on Summer Turns to High, for instance, and most tracks are a little fussy in their aural coloring. Rock Alternative Rock. It's funny, if REM were a new band people would be like OMG, fantastic. Beat A Drum. The Lifting Lyrics. But since it's REM people go, meh


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